The sword of the spirit in Holy Scripture does indeed show us our sin, but thanks be to God, it also shows us our Savior.
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Our hope is God's mercy. It's like a well that never dries up. His mercies were there before he created us. They are present for us today.
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Even for idolatrous sellouts like you and me, God’s position has not changed. Even though we may have forgotten him, he never forgets us.
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The imprecatory psalms are like release valves for hurting souls. Their stanzas are God-given spaces in which we can bear our soul’s torment.
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Men and women are all caught in the universal machine of suffering that chews people up and spits them out. And in their respective griefs and fears, they are all wondering if God sees them, hears them, knows them.
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Our children are not our own, but even more, our children are born in need. They are sinful, from conception and from birth.
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At its heart, this is what Deacon King Kong is all about: the paradox of Jesus carving his victory out of the last thing we expect, not our triumphs but our defeats.
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Christians do have a hope that those who sleep in death will be awakened and their joy will never end, and we yearn for that day.
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The church’s song goes on and on, singing and ringing down to us today.
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Christ has received the mark of law that we might be marked with the gospel, with the sign of his holy cross on our heads and hearts as redeemed children of God.
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While the world and other religions might be fine with considering him everything but, the foremost thing our Jesus came to be and still remains is Jesus, Savior.
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Buried deep in our human psyche, there seems to be more than a need—almost a necessity—to celebrate the arrival of a new year. It’s like an unspoken, unlegislated cultural demand, as instinctual as moving to music or smiling at a newborn. Why? What deep human need is at work here?