When we consider our own end, it will not bring us into a final wrestling match with the messenger of God, but into the embrace of the Messiah of God.
What do such callings look like? They are ordinary and everyday.
This is the third in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.

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The love of God is creative, always giving, always reviving.
In Scripture, laments are raw expressions of grief, but they always point to hope. What if our culture’s obsession with holiday lights is an unconscious way of crying out, “We need good news, and we need it now”?
This is the basic argument of To Gaze upon God: that we who now see as if behind a veil will one day enjoy the unveiled splendor of God himself, who will dwell with us forever.
More certain than death or taxes and more certain than “anything else in all creation” is the fact that God loves you.
Jesus loved us and gave himself up to save us. He would not abandon you to your hurt or cast you away because of the hurt you caused others.
God’s creatures on four legs are some of the greatest storytellers of the Scriptures.
Jesus has instituted his living-breathing disciples, his shepherds in his church, to declare the full forgiveness of sins.
To obtain this righteousness, you have to admit you don’t have it and could never produce it on your own because you are unrighteous.
When joined with a good Reformation theology of vocation and the freedom of a Christian, Fujimura’s vision for culture care is something all Christians can embrace, regardless of whether they are artists in the formal sense.
It is the story of a God who is not distant, not indifferent, not doing anything in half-measures, but who is here, now.
The Lion of Judah, Christ the King, Jesus of Nazareth, will not be away from us for one night.
It is Jesus himself who is the ladder by which sinners get to God, not by them climbing up but by God climbing down.