David shows us what happens to a man when his resurrection begins.
What Israel’s story makes painfully obvious is that following the Lord is a lifelong lesson in “I believe, but help my unbelief” (Mark 9:24).
Faith holds on to the truth of who Jesus is revealed to be, despite our sometimes incongruent experience with God.

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Albrech Dürer is said to have brought the Renaissance north of the Alps and perfected the mass production and distribution of images.
Sometimes the old story is the one we need to hear again and again.
We are called to believe in the church even when we don’t believe in the church.
Is there a significant difference between changing your mind and doing penance? Absolutely.
Luther’s final thoughts were not meant to bum you out or lead you to despair.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
Luther’s famous treatise contains great consolation for Christians struggling with grace, suffering, and hope.
The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
What do we do with Katie Luther? What kind of historical character can we paint her to be?
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?