Baptism does not promise us chocolates or flowers, but something far greater: life in Christ.
The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.
Christians can pursue projects of justice free of the burden of being the justifier of the world; that office belongs to Christ and Christ alone.

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The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
What do we do with Katie Luther? What kind of historical character can we paint her to be?
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?
There is a “re” involved with baptism, but unlike the Anabaptists, it’s not a “re-do,” but a “re-turn" or a “re-member.”
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
The gospel gives us faith, hope, and love, all of which proceed from Christ’s death and resurrection.
The narrative of the Nativity is what Christmas is all about.
This article is part of Stephen Paulson’s series on the Psalms.
The love of God is creative, always giving, always reviving.
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.