Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.
Luther felt the reform of the church could not simply remain a matter of aesthetics and practice. Something much deeper needed to be rooted out.

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We now are the magi: we worship Christ because of who he is, but also because of what he has done for us and what he continues to do in his gift-giving to us.
Epiphany continues the work done at Christmas, bringing light and life to a dying world desperate for hope.
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
Christ is the beating heart of Christian faith and its only object.
No matter how many times we hear this good news, it never stops being good news.
Our faith is precisely where Paul puts it, namely, in the blood of Christ.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
When the historical importance of revivalism is understood, one can appreciate that the question, “Could America experience another revival?” is also a question about the fate of Christianity in America.
The Christian must always remember that personal piety and liturgical uniformity are by no means the marks of true religion.
Surely a division now called the "Great Schism" should command our attention, but it is vital that we do not impute similar significance to all modern disagreements in the church.
Erasmus and the Unintended Reformation
This is an excerpt from chapter 2 of The Resurrection Fact: Responding to Modern Critics, edited by John Bombaro and Adam Francisco (1517 Publishing 2016).