Wade Johnston, Life Under the Cross: A Biography of the Reformer Matthias Flacius Illyricus, Concordia Publishing House, St. Louis: MO, 2025.
This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.

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It's a new year, and you are still the same you: a sinner who is simultaneously perfect in every way because Christ declares it to be so.
In Simeon's hands and Anna's gaze, we are reminded of God's promise—not distant, not fading, but alive.
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
The Lord did for Hannah what he loves to do: he shifted everything into reverse, making the bottom the top and the top the bottom.
This is an excerpt from Broken Bonds: A Novel of the Reformation by Amy Mantravadi (1517 Publishing, 2024), pgs. 24-27
Christ is the beating heart of Christian faith and its only object.
This article is part of Stephen Paulson’s series on the Psalms.
You have real freedom through the gospel of Jesus Christ, a freedom that doesn’t rest on founders, votes, or power plays.
No matter how many times we hear this good news, it never stops being good news.
Our faith is precisely where Paul puts it, namely, in the blood of Christ.
Just as trick-or-treaters arrive at doorsteps as beggars, we come to the Lord’s table with nothing to offer but our sin and need for forgiveness.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.