Wade Johnston, Life Under the Cross: A Biography of the Reformer Matthias Flacius Illyricus, Concordia Publishing House, St. Louis: MO, 2025.
This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.

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Apart from the confession that Jesus of Nazareth is the Christ of God who suffered and died for the forgiveness of sins and rose again to justify the ungodly, there is no Christian faith.
We are called to believe in the church even when we don’t believe in the church.
You cannot sever the saint from the sinner. Christians remain both simultaneously.
Despite the mathematical incongruity, the church confesses that Christ is one hundred percent human and one hundred percent divine.
Jesus refreshes you with the promises of the gospel, wrapped in the words of Scripture, drawn in the pictures of the sacraments.
Polycarp’s faith, life, writings, and even his death revealed the fruit of faith and love grafted into his heart by Christ the Vine.
Jesus is very difficult to bring down. That’s the power of it.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
We now are the magi: we worship Christ because of who he is, but also because of what he has done for us and what he continues to do in his gift-giving to us.
Epiphany continues the work done at Christmas, bringing light and life to a dying world desperate for hope.