Faith, for Peter, is not suspended in religious abstraction. It is tied to something that happened in time and space.
Baptism does not promise us chocolates or flowers, but something far greater: life in Christ.
The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.

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We can lay down our sledgehammers of moralistic performance, which aren’t effective anyway, and we can trust that we are his and his life is ours.
Faith takes God at his word and holds his promise to be true for me because I know God would not lie to me.
Fideistic Christianity may look bold, but it is fragile.
The Antichrist offers another continual presence. It is every whisper that tempts us toward autonomy, that tells us to carry it alone, that insists suffering is meaningless.
Even if the Shroud were proven a medieval forgery, it would only highlight the skill of its maker. The case for Christ’s resurrection rests on eyewitness testimony.
For those with faith in Christ, there is always a happy ending.
Tetzel peddled righteousness for gold, but God gives it freely through faith in his promised Word, the person and work of Jesus Christ.
Instead of offering more details or more information, he does something even better: he promises his very presence.
MacArthur’s courage to speak Scripture’s truth, no matter the audience, should be commended.
‘Peace’ means “I have forgiven all those sins against me.”
Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
We don’t flinch at sin. We speak Christ into it.