When you step into the Lord’s house, he gives you a liturgical imagination to see with eyes of faith all of his goodness and grace.
The thief is the prophetic picture of all of us, staring hopelessly hopeful at the Son of God, begging to hear the same words.
The Solas are not just doctrinal statements. They are the grammar of Christian comfort.

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Jesus names what life does not consist of, and in doing so he gets to something near and dear to our hearts as Americans—our possessions.
These treasures show us that, no matter how well we think we know this poem, there’s always more layers to uncover.
It’s no wonder we’re so attached to images; we are one. We are human hyphens between the celestial and the terrestrial.
We are saved by God's grace, apart from our work – so why does obtaining God's wisdom require such work?
Death can make us feel like tourists or strangers traveling across the landscape of someone else’s life.
Believers are reminded—and the preacher is to remind them—baptism marks the forgiveness of sins, the end of legal demands, justification and regeneration, and the ultimate triumph over rulers and powers.
The story of these faithful Christians serves to highlight the roles of both Africa and martyrdom in the early church and today.
Nothing, not pain, hurt, resentment, bitterness, or hopelessness can separate us from God’s love for us in Jesus Christ.
The following is an excerpt from “Crucifying Religion” written by Donavon Riley (1517 Publishing, 2019).
What follows is a little crash course in how to read Calvin with respect, for our benefit, and with an eye to how we keep Reformation giants at a proper historical arms distance.
All God's fatherly goodness and mercy is concrete and real, born of a virgin, crucified for our trespasses, raised for our justification.
“I love you” is great, as long as whatever commitment I may or may not be intimating is mutually beneficial and causes the least amount of emotional strain to me.