The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.
Christians can pursue projects of justice free of the burden of being the justifier of the world; that office belongs to Christ and Christ alone.
When Dostoevsky died on February 9, 1881, he left behind novels that refuse to flatter the reader or simplify the human condition.

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We believe in a Savior who raises the dead: this is why the church is the one place on earth that can speak plainly about abortion without collapsing into despair.
His provision always flows downward, furnishing and filling us with his grace and truth right where we are.
Wake Up Dead Man is not ultimately a story about mystery, exposure, or even justice. It is a story about what happens when mercy speaks to death—and death listens.
The story of your life stretches beyond the dash on the tombstone.
It is death that deserves derision, not the disciple who reaches through sorrow for his Lord.
The Christian answer to death is not a disembodied app, but a bodily resurrection.
All Saints’ Day is a war story. And in Christ crucified and risen, it’s also a victory story.
This is the third installment in our article series, “An Introduction to the Bondage of the Will,” written to commemorate the 500th anniversary of Martin Luther’s Bondage of the Will.
We can lay down our sledgehammers of moralistic performance, which aren’t effective anyway, and we can trust that we are his and his life is ours.
The reason Christians argue so much about the sacraments is because, deep down, they matter.
You’re permitted to call on “Our Father, who art in heaven” at all hours of the day and night with whatever you like.
Why reflect on these three men — MacArthur, Ozzy, and Hulk Hogan — in the same breath?