From creative storytelling (see any of Jesus’ parables) to hymn-singing to poetry slams, God’s revelation refuses the confines of any single genre. The world beyond the wardrobe demands some serious attention, and Christians are uniquely qualified to give it just that.
08/04/26
Christ does not replace or erase the history of the Old Testament. He brings it to its fullness. The historical fulfillments demonstrate God's faithfulness in their own time and also bear witness to the greater fulfillment accomplished in Jesus Christ.
08/01/26
Jesus Christ is the Ark of the New Covenant. He is our place of atonement, our mercy seat. He puts a lid on the righteousness that might otherwise condemn us by offering his very self in our stead on the cross.
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02/07/25
The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
02/03/25
I realized that no matter where I call "home," I won't be able to shake the feeling of homesickness.
01/29/25
What do we do with Katie Luther? What kind of historical character can we paint her to be?
01/21/25
There is a “re” involved with baptism, but unlike the Anabaptists, it’s not a “re-do,” but a “re-turn" or a “re-member.”
01/14/25
The gospel is best understood in terms of those two most important words: for you.
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01/02/25
The narrative of the Nativity is what Christmas is all about.
01/02/25
In Simeon's hands and Anna's gaze, we are reminded of God's promise—not distant, not fading, but alive.
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12/27/24
This article is part of Stephen Paulson’s series on the Psalms.
12/26/24
It is impossible to live our lives in a way that would convince God of our value because he already knows our value. He is the one who gave it to us.
12/16/24
The love of God is creative, always giving, always reviving.
12/06/24
The Lord did for Hannah what he loves to do: he shifted everything into reverse, making the bottom the top and the top the bottom.
11/26/24
This is an excerpt from Broken Bonds: A Novel of the Reformation by Amy Mantravadi (1517 Publishing, 2024), pgs. 24-27
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