The gospel isn’t for the strong but people who know they aren’t.
One great thing about our post-denominational age is that it has opened up opportunities to make common cause with other Lutherans who, despite their differences and eccentricities, can agree on some of the most important things.
Pride builds identities that leave no room for grace.

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Seeing, we do not see. Our eyes are busy deceiving us 24/7, like two liars sunk into our faces, calling black white and white black. To see God's work in our world, our eyes must retire and our ears labor overtime.
I was asked to write one on Hebrews 4:14-16, to be read on Thursday, February 20. Among the finds that Luke and I discovered this weekend was that meditation.
But there’s more to this movie than excellent Lego graphics and artistic; in other words, imaginative storytelling.
An understanding and appreciation of the goodness (and given-ness) of place and family, and the vocations attending each, can of course be taught and learned in a classroom or by means of a book.
Waits wants to pen the songs with beautiful melodies and lyrics dark as sin. Whatever his church background, he sings “the big print giveth, and the small print taketh away."
A couple of weeks ago I ordered pizza for dinner. I didn’t pray, “Lord, give me pizza.” I called the store. The pizza did not drop down from heaven at my doorstep like manna from heaven.
For all our best efforts—political and evangelistic—our approach should always be through the Theology of the Cross. Our gardens are still bloody, but the blood of the Lamb who takes away the sins of the world will one day restore peace to our gardens.
The concept of Theology as science is foreign to our ‘enlightened’ century where the subject has been removed to the Liberal Arts category.
I hoped like mad they’d spit in my face and laugh me all the way out of town. I wouldn’t have even cared if a mob of them had beat me to death in a back alley. But heavens no, I couldn’t be that lucky.
Even putting to the side More’s purposes in the writing of Utopia, and Bolt’s in composing A Man for All Seasons, certain contexts pertaining to each are revealing.
Sinner: I see. I see for the first time. It’s clear to me. You died for me and for my sin. You took my verdict. God: I did.
The details vary, of course, but we too struggle to repair the heart broken by the tragic death of someone we love. We're dazed, angry, speechless.