A quick recap of some of our best content from 2025. Every year, we publish over 250 articles, release podcast episodes from 20+ unique podcasts, host two conferences (and participate in numerous speaking engagements), and more. This list just scratches the surface of our best of - thank you to everyone who makes this work and much more possible.
The story of your life stretches beyond the dash on the tombstone.
Below is a list of our favorite theological books - across all categories - from 2025. A special thanks to our contributors who submitted titles, wrote summaries and full reviews for these books and more throughout the year.

All Articles

This is the final installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
This is the fourth installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?
Sometimes the old story is the one we need to hear again and again.
We are called to believe in the church even when we don’t believe in the church.
In grace, God chooses to love his people.
This is an excerpt from Ditching the Checklist: Assurance of Salvation for Evangelicals (and Other Sinners) by Mark Mattes (1517 Publishing, 2025), pgs. 5-7.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The wrong god means love remains frail, fickle, or a fiction. The right God means love is the most reliable thing in all the world.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
What do we do with Katie Luther? What kind of historical character can we paint her to be?