What Israel’s story makes painfully obvious is that following the Lord is a lifelong lesson in “I believe, but help my unbelief” (Mark 9:24).
Faith holds on to the truth of who Jesus is revealed to be, despite our sometimes incongruent experience with God.
This is an excerpt from the first chapter of A Reasoned Defense of the Faith by Adam Francisco (1517 Publishing, 2026), pgs 1-3.

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In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
I realized that no matter where I call "home," I won't be able to shake the feeling of homesickness.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
The gospel gives us faith, hope, and love, all of which proceed from Christ’s death and resurrection.
In Simeon's hands and Anna's gaze, we are reminded of God's promise—not distant, not fading, but alive.
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
The Lord did for Hannah what he loves to do: he shifted everything into reverse, making the bottom the top and the top the bottom.
The crucified and risen Christ comes to renew, restore, and build up.