God Meets is the rare cancer book (and as above, I use that term advisedly) that addresses both the judgment God places on human creatures in the Garden (death) and the hard road anyone walks toward that end (100% of us).
The testimony of the apostles is not an escapist message in which Christians are redeemed by leaving bodily life behind.
In spite of the pain, Sasse exudes a peace from above that is quite literally impossible to explain apart from the assurance he has in Christ.

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It’s easy to understand the allure of the shroud. In a skeptical age, a physical relic that appears to bear the imprint of the risen Christ seems like proof positive of the faith.
This is the final installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
This is the fourth installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
Sometimes the old story is the one we need to hear again and again.
Despite the mathematical incongruity, the church confesses that Christ is one hundred percent human and one hundred percent divine.
Jesus refreshes you with the promises of the gospel, wrapped in the words of Scripture, drawn in the pictures of the sacraments.
Polycarp’s faith, life, writings, and even his death revealed the fruit of faith and love grafted into his heart by Christ the Vine.
Jesus is very difficult to bring down. That’s the power of it.
In grace, God chooses to love his people.
This is an excerpt from Ditching the Checklist: Assurance of Salvation for Evangelicals (and Other Sinners) by Mark Mattes (1517 Publishing, 2025), pgs. 5-7.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.