The gospel isn’t for the strong but people who know they aren’t.
One great thing about our post-denominational age is that it has opened up opportunities to make common cause with other Lutherans who, despite their differences and eccentricities, can agree on some of the most important things.
Pride builds identities that leave no room for grace.

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As Christians, we are not cold ascetics, depriving ourselves in the here and hereafter. We are given good things from our heavenly Father in heaven, and even a foretaste of the things to come.
On the other side of Christmas, we find (1) senseless suffering and (2) unstoppable salvation. A sermon on these verses should be honest about both.
One gloomy, silent night, God stepped into our darkness. The Word had not only spoken but was now made flesh.
If Christmas is about Jesus, and it definitely is, then the real question should be: What’s Jesus all about?
Unlike Luke, who provides most of the parts for the children’s program (the shepherds, the angel hosts, the innkeeper, and the animals), Matthew’s version is rated “M” for mature.
The following is an excerpt from “A Year of Grace: Collected Sermons of Advent through Pentecost” written by Bo Giertz and translated by Bror Erickson (1517 Publishing, 2019).
While we are promised that God will always be with us, we are also told of the benefits that can come to us even in our pain.
All creation joins together to repeat the sounding joy.
God will not repent. He will not repent of His promises. He will not change His mind regarding His selfless, self-sacrificing, inconceivable love for sinners.
There he sat, awaiting his executioner. John looked around at what God and His Messiah were not doing, and even the greatest among those born of woman had his doubts. “Are you the one who is to come, or shall we look for another?”
Our actions, moral choices, appearance, definitions of family and friendship are all defined by how we see ourselves in relation to the question, "Am I good enough?"
Despite its familiarity and frequent usage, the imagery in "O Come, O Come, Emmanuel," is often underappreciated.