In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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Ambrose's preaching continues to ring out in churches around the world, especially during Advent when we sing his magnificent, proclamatory hymn, "Savior of the Nations, Come."
Christ is the beating heart of Christian faith and its only object.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
In Honor of Dr. John Warwick Montgomery: October 1931 to September 2024.
In his resurrection, God says "Yes" to Christ, and all those in him.
When the historical importance of revivalism is understood, one can appreciate that the question, “Could America experience another revival?” is also a question about the fate of Christianity in America.
The Christian must always remember that personal piety and liturgical uniformity are by no means the marks of true religion.
Surely a division now called the "Great Schism" should command our attention, but it is vital that we do not impute similar significance to all modern disagreements in the church.
Erasmus and the Unintended Reformation
This is an excerpt from chapter 2 of The Resurrection Fact: Responding to Modern Critics, edited by John Bombaro and Adam Francisco (1517 Publishing 2016).
Strasbourg’s hymnals are especially relevant to American Lutherans because much of what we experience in our churches comes to us from Strasbourg.
Lutherans have a unique heritage that makes teaching predestination doubly difficult.