The Antichrist offers another continual presence. It is every whisper that tempts us toward autonomy, that tells us to carry it alone, that insists suffering is meaningless.
He is the God who always is, whose Word is true, and never fails. He is a God who acts and always does what he says he’s going to do.
Election is not a riddle to solve. It’s a pillow to rest your head on at night.

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Jesus is both the image bearer and the image giver. In Jesus’ incarnation we are redeemed and re-imaged.
“The days are coming,” and God said it. God, who kept his promise that Christ would come at Christmas.
There is no other transitionary event in human history that warrants three full months of focused attention and persistent acknowledgment than the incarnation of the Son of God.
If Jesus is indeed the same yesterday, today, and forever, everything his enfleshment brings is already assured: life, salvation, and forgiveness.
In Genesis 1-2, the Lord reveals—or, at a bare minimum, starts dropping some big hints—that he will be quite comfortable becoming a human being himself someday.
That's how true faith talks. It doesn't talk about itself. It says "Thank you!" to the one who gives healing and salvation.
Thanksgiving utters a confession of dependence, an acknowledgement of the gift of something not earned or deserved.
The youths that mock Elisha are representative of Israel’s collective contempt and disregard for all things relating to their One True God.
Look the judge in the eye and pin your sin on Jesus, the divine judge’s son. Jesus knows you can’t do it, so he trades places with you and pits himself against God’s righteous demands.
The church is the only place God promises to lift us out of ourselves not in order to become more like God but so that we may finally be freed from our obsession with becoming little gods.
The Reformation was yet another era of history when God’s people were faced with the question that Jesus asked his disciples: “Who do you say that I am?”
Without the sacraments, God’s grace is simply an artifact behind a glass-case in a museum. We might be able to describe and even admire it, but we never get firsthand access to it.