We needn’t fear statistics and studies as palm readings into a certain future. God is God, and his Spirit is alive through his Word.
Christ does not hide his wounds. He offers them.
The church does not await a verdict; she proclaims one.

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In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?
By the end of this prayer of wrestling, David finally has the strength to claim victory over his lying enemies.
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
The gospel is best understood in terms of those two most important words: for you.
The gospel gives us faith, hope, and love, all of which proceed from Christ’s death and resurrection.
It's a new year, and you are still the same you: a sinner who is simultaneously perfect in every way because Christ declares it to be so.
Ambrose's preaching continues to ring out in churches around the world, especially during Advent when we sing his magnificent, proclamatory hymn, "Savior of the Nations, Come."
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.