What does it take to draw near to God? It takes a perfect priest, a finished work, and a broken body to open the way. In short, it takes everything, which is exactly what Christ has given for you.
Christianity need not retreat from investigation. Its central claim is that the Word became flesh, entered history, was crucified, and on the third day rose from the dead. That is not an embarrassment to be overcome. It is the claim we have been given to declare and defend.
In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.

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One thing is for certain: my day was heaven compared to his. My minor headaches nothing compared to whatever he was going through.
The most powerless person in this story is the key to it all. God uses her who is nothing to effect everything.
We treat the Scriptures as if they’re our literary property to toy with as we please.
We are continuing our summer series on a theology of worship through the lens of language. Before moving forward, let me highlight a few points by way of review.
The time constrained authoring of the Augustana caused great angst, for the part of Melanchthon that was never satisfied with his own literary output.
Like any language, the liturgy has syntax—a structure that provides order and intelligibly communicates meaning through all that is said.
God cannot love me unconditionally without prerequisites, especially after all I’ve done, can He?
As the story unfolds we see Luther’s Heidelberg theses on display, even before the Fellowship leaves Rivendell.
Faith does not require that we always Hoorah what the Lord does. God wants children, not brown-nosers.
Hus was burned at the stake in his early 40s, Luther lived to a fairly ripe, old age, but why?
O dry bones, hear the word of the Lord. Thus he says to these bones. Behold, I will cause breath to enter you, and you shall live.
By Philip Melanchthon (from the 1535 Loci Communes), translated by Scott L. Keith, Ph.D., edited by Kurt Winrich