This is the first in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.

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This is the first in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.
Wake Up Dead Man is not ultimately a story about mystery, exposure, or even justice. It is a story about what happens when mercy speaks to death—and death listens.
What God perceives is not what our eyes see; he is focused on righteousness because his love creates what is righteous.
This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
The unity of God’s people is grounded not in lineage nor land but in the promise of the coming Christ.
“The well that washes what it shows” captures the essence of Linebaugh’s project, which aims to give the paradigmatic law-gospel hermeneutic a colloquial and visual language.
While Thoreau’s Walden is seen as a central text of that most American of virtues—self-reliance—quiet ambition as envisioned by Tinetti is exactly the opposite: dependence on God.
Every age has its emergencies, and the church must never ignore them. Yet, our response cannot be one of panic or propaganda.
Something Reformation Christians ought to do is familiarize themselves with Roman Catholic theology.
The testimony of the Word assures us that God isn’t waiting for us at the top of the stairs, with arms folded and brows furrowed.