We needn’t fear statistics and studies as palm readings into a certain future. God is God, and his Spirit is alive through his Word.
Christ does not hide his wounds. He offers them.
The church does not await a verdict; she proclaims one.

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It’s easy to understand the allure of the shroud. In a skeptical age, a physical relic that appears to bear the imprint of the risen Christ seems like proof positive of the faith.
Dave weaves together music, movies, and documentaries to illustrate all the ways we seek relief—and then, full and free, he connects our need to Christ’s gift.
This is the final installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
This is the fourth installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
Sometimes the old story is the one we need to hear again and again.
Apart from the confession that Jesus of Nazareth is the Christ of God who suffered and died for the forgiveness of sins and rose again to justify the ungodly, there is no Christian faith.
The great lie of addiction is that suffering must be fled, must be numbed, must be drowned out by any means necessary.
You cannot sever the saint from the sinner. Christians remain both simultaneously.
In grace, God chooses to love his people.
This is an excerpt from Ditching the Checklist: Assurance of Salvation for Evangelicals (and Other Sinners) by Mark Mattes (1517 Publishing, 2025), pgs. 5-7.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.