Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.
As Jesus hung on the cross there would be no last second escape. No Greek goddess would swoop in to rescue him. He suffered alone. And yet even in that suffering he declared his victory on the spiritual battlefield to be your victory.

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This is an excerpt from Ditching the Checklist: Assurance of Salvation for Evangelicals (and Other Sinners) by Mark Mattes (1517 Publishing, 2025), pgs. 5-7.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
I realized that no matter where I call "home," I won't be able to shake the feeling of homesickness.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
As you step into the days ahead, remember this: no matter how lost you may feel, you have a God who seeks you out, celebrates your return, and rejoices over you.
In Simeon's hands and Anna's gaze, we are reminded of God's promise—not distant, not fading, but alive.
This is the third article in a special three-part Advent series on how Jesus is our prophet, priest, and king.
The Lord did for Hannah what he loves to do: he shifted everything into reverse, making the bottom the top and the top the bottom.
The Lord’s provision doesn’t rest on the strength of our gratitude.
Thanksgiving is never out of place for the Christian.
Show me a sinner, and I’ll write you a story of a God who saves them.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.