From creative storytelling (see any of Jesus’ parables) to hymn-singing to poetry slams, God’s revelation refuses the confines of any single genre. The world beyond the wardrobe demands some serious attention, and Christians are uniquely qualified to give it just that.
Christ does not replace or erase the history of the Old Testament. He brings it to its fullness. The historical fulfillments demonstrate God's faithfulness in their own time and also bear witness to the greater fulfillment accomplished in Jesus Christ.
Jesus Christ is the Ark of the New Covenant. He is our place of atonement, our mercy seat. He puts a lid on the righteousness that might otherwise condemn us by offering his very self in our stead on the cross.

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Senkbeil is a pastor’s pastor, a master of the art of pastoral care.
The great lie of addiction is that suffering must be fled, must be numbed, must be drowned out by any means necessary.
You cannot sever the saint from the sinner. Christians remain both simultaneously.
God is a judge, but unlike you, God is just!
In the upside-down wisdom of God, the place of the cross becomes the place of life, absolution, and triumph.
Luther’s final thoughts were not meant to bum you out or lead you to despair.
In grace, God chooses to love his people.
The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
The gospel is best understood in terms of those two most important words: for you.
It's a new year, and you are still the same you: a sinner who is simultaneously perfect in every way because Christ declares it to be so.