The confessors at Augsburg remind us that every generation of Christians is called to bear witness to the gospel amid the challenges and pressures of its own age. As they confessed Christ before emperors and kingdoms, so the Church continues to confess Him before the world today.
When Jesus washes you with baptismal water, you can rest assured that the Lion of Judah is on the move.
The life we are trying to manage, improve, and secure is not something to be mastered. It is something to be surrendered. And this is where everything changes. Because in Christ, the approval we are seeking has already been spoken.

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Few couples faced the kind of pressures they endured in their two decades of marriage prior to Martin’s death in 1546.
What I was missing—what so many are missing—is a Church that doesn’t just speak about Christ, but delivers him.
Every time someone is baptized, every time bread is broken and wine poured, every time a sinner hears, “Your sins are forgiven in Christ,” Pentecost happens again.
In Christ, you are bound. Bound to mercy. Bound to grace. Bound to a God who won’t let you go. And because of that, you are free—gloriously, joyfully free.
When Jesus ascends, he does so, bearing gifts for you.
When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
“The fear of the Lord” is our heart’s awakening to and recognition of God’s outrageous goodness.
We needn’t fear statistics and studies as palm readings into a certain future. God is God, and his Spirit is alive through his Word.
Dave weaves together music, movies, and documentaries to illustrate all the ways we seek relief—and then, full and free, he connects our need to Christ’s gift.
While I disagree with many things Francis did and believed, I think he deserves credit for this: Francis showed us what Christian leadership can look like.
Albrech Dürer is said to have brought the Renaissance north of the Alps and perfected the mass production and distribution of images.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?