This is the first in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.
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01/08/26
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
01/07/26
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.
All Articles
Author
- All Authors
- 1517 Guest Contributor
- 1517 Publishing
- 1517 Staff
- A. A. Just Jr.
- A.J. Vega
- Aaron Boerst
- Adam Francisco
- Adam Stetson
- Amy Mantravadi
- Andrew Foss
- Anthony DiLiberto
- Blake Flattley
- Bob Hiller
- Bob Sundquist
- Bonnie Petroschuk
- Brad Soenksen
- Bradley Gray
- Brandon Hanson
- Brandon Pangman
- Brennan Manning
- Brian W. Thomas
- Bror Erickson
- Bruce Hillman
- C.S. Lewis
- Caleb Keith
- Chad Bird
- Charles E. Fry
- Christopher J. Richmann
- Cindy Koch
- CJ Armstrong
- Craig Donofrio
- Dan Chrismer
- Dan van Voorhis
- Dan Weber
- Daniel Deen
- Daniel Emery Price
- Daniel Stenberg
- David Clay
- David Rufner
- David Schmitt
- Debi Winrich
- Delwyn Campbell
- Dominick Santore
- Donavon Riley
- Edward Killian
- Elyse Fitzpatrick
- Erick Sorensen
- Gage Jordan
- Gerhard Forde
- Grant Klembara
- Greg Koukl
- Gretchen Ronnevik
- Haroldo Camacho
- Hermann Sasse
- Jacob Corzine
- Jacob Smith
- Jake Allstaedt
- Jared C. Wilson
- Jason Lane
- Jason Lang
- Jason Oakland
- Jay Sawrie
- Jeff Mallinson
- Jeffrey Pulse
- Jenifer Mohan
- Jessica Delgado
- Jessica Thompson
- Jim Nestingen
- Joel Fitzpatrick
- Joel Hess
- Joey Goodall
- John Bombaro
- John Bortulin
- John Chrysostom
- John T. Pless
- John W. Hoyum
- John Warwick Montgomery
- Jonathan Ruehs
- Jordan Spina
- Joshua Miller
- Justin Rossow
- Karen Stenberg
- Kathy Morales
- Katie Koplin
- Kelsi Klembara
- Ken Sundet Jones
- Kerri Tom
- Kevin Hale
- Kevin McClain
- Kyle G. Jones
- Larry D. Hughes
- Laura Bauer
- Luke Kjolhaug
- Magnus Persson
- Mariah Coward
- Mark Jasa
- Mark Mattes
- Mark Pierson
- Martin Luther
- Matt Johnson
- Matt Kroelinger
- Matt Popovits
- Matthew L. Rubinstein
- Michael Berg
- Michael Gibney
- Nicholas Hopman
- Nicholas Kallis
- Norman Nagel
- Paul Dunk
- Paul Koch
- Pete Lange
- Peter Nafzger
- Philip Bartelt
- Raleigh Sadler
- Rick Ritchie
- RJ Grunewald
- Robert Farrar Capon
- Robert Kolb
- Rod Rosenbladt
- Roland Ehlke
- Ron Hodel
- Russ Lackey
- Ryan Couch
- Ryan Matthias
- Ryan Stevenson-Cosgrove
- Ryan Tinetti
- Sam Leanza Ortiz
- Sam P. Schuldheisz
- Sarah Crowder
- Scott Davis
- Scott Keith
- Scott Landrum
- Seth Moorman
- Steve Byrnes
- Steve Kruschel
- Steven A. Hein
- Steven Paulson
- StoryMakers NYC
- Tanner Olson
- Tate Barber
- Ted Rosenbladt
- Travis Scholl
- Tyler Cronkright
- Uwe Siemon-Netto
- Valerie Thur
- Wade Johnston
- Walter Hwang
- Wayne Sender
- Zack James Cole
01/14/25
The gospel is best understood in terms of those two most important words: for you.
01/03/25
It's a new year, and you are still the same you: a sinner who is simultaneously perfect in every way because Christ declares it to be so.
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01/02/25
The narrative of the Nativity is what Christmas is all about.
12/12/24
Longstanding tradition must be bolstered by something outside of ourselves that also lies outside of the traditions of men.
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11/28/24
The Lord’s provision doesn’t rest on the strength of our gratitude.
11/27/24
A Bit of Earth is about the garden, but it’s also about us—as we are made from dirt.
11/20/24
This is the basic argument of To Gaze upon God: that we who now see as if behind a veil will one day enjoy the unveiled splendor of God himself, who will dwell with us forever.
11/18/24
Instead of a “how-to” manual, the Bible is a “what-you-didn’t-do” story.
11/15/24
What do we learn from the widow? We learn how to be dependent upon God.
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11/13/24
This article is part of Stephen Paulson’s series on the Psalms.
11/01/24
No matter how many times we hear this good news, it never stops being good news.
10/28/24
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
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