This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.
Was Jesus ambitious or unambitious? We have to say that the answer is…yes.

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Sometimes the old story is the one we need to hear again and again.
The great lie of addiction is that suffering must be fled, must be numbed, must be drowned out by any means necessary.
You cannot sever the saint from the sinner. Christians remain both simultaneously.
God is a judge, but unlike you, God is just!
In the upside-down wisdom of God, the place of the cross becomes the place of life, absolution, and triumph.
In grace, God chooses to love his people.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."