Jesus is not a god that we can manipulate and mold. Christ is the true God, the one who is.
Yahweh tells his people that they “shall have no other gods before me,” he’s speaking into a culture whose very fabric is made up of the worship of other gods.
Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.

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The love of God is creative, always giving, always reviving.
This is the basic argument of To Gaze upon God: that we who now see as if behind a veil will one day enjoy the unveiled splendor of God himself, who will dwell with us forever.
More certain than death or taxes and more certain than “anything else in all creation” is the fact that God loves you.
Jesus loved us and gave himself up to save us. He would not abandon you to your hurt or cast you away because of the hurt you caused others.
God’s creatures on four legs are some of the greatest storytellers of the Scriptures.
Jesus has instituted his living-breathing disciples, his shepherds in his church, to declare the full forgiveness of sins.
To obtain this righteousness, you have to admit you don’t have it and could never produce it on your own because you are unrighteous.
When joined with a good Reformation theology of vocation and the freedom of a Christian, Fujimura’s vision for culture care is something all Christians can embrace, regardless of whether they are artists in the formal sense.
It is the story of a God who is not distant, not indifferent, not doing anything in half-measures, but who is here, now.
The Lion of Judah, Christ the King, Jesus of Nazareth, will not be away from us for one night.
In Christ, this world’s never-children are his always-children, because he isn’t a God of death, after all.
To embrace our creatureliness is to affirm the truth that we were created to worship.