Yahweh tells his people that they “shall have no other gods before me,” he’s speaking into a culture whose very fabric is made up of the worship of other gods.
Auden understands Luther’s doctrine of justification by faith not as a mere theological platitude, a trick of biblical grammar, or a catchphrase for men to rally around.
Our Lord Jesus builds, forms, and fashions his church as an artist forms a mosaic.

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What God perceives is not what our eyes see; he is focused on righteousness because his love creates what is righteous.
Christianity doesn’t start with our speculation about God. It starts with God’s self-revelation.
Christ did not merely urge humanity to be kind. He embodied perfect kindness by giving his life for those who neither earned nor expected such a gift.
The unity of God’s people is grounded not in lineage nor land but in the promise of the coming Christ.
“The well that washes what it shows” captures the essence of Linebaugh’s project, which aims to give the paradigmatic law-gospel hermeneutic a colloquial and visual language.
Why would David write this psalm for all to read when he was no longer God’s greatest king, but rather God’s greatest sinner?
Caesar gets your taxes. Christ gets your heart.
If Psalms 1 and 2 reveal the Christ who reigns, Psalms 3 and 4 reveal the Christ who remains.
While Thoreau’s Walden is seen as a central text of that most American of virtues—self-reliance—quiet ambition as envisioned by Tinetti is exactly the opposite: dependence on God.
Every age has its emergencies, and the church must never ignore them. Yet, our response cannot be one of panic or propaganda.
It is by his perfect surrender that our true Exodus was accomplished.
When we fail, our first impulse is the same as that of our spiritual ancestors: to sprint headlong into the bushes.