Wade Johnston, Life Under the Cross: A Biography of the Reformer Matthias Flacius Illyricus, Concordia Publishing House, St. Louis: MO, 2025.
This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.

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Luther’s final thoughts were not meant to bum you out or lead you to despair.
Luther’s famous treatise contains great consolation for Christians struggling with grace, suffering, and hope.
The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
What do we do with Katie Luther? What kind of historical character can we paint her to be?
There is a “re” involved with baptism, but unlike the Anabaptists, it’s not a “re-do,” but a “re-turn" or a “re-member.”
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
We now are the magi: we worship Christ because of who he is, but also because of what he has done for us and what he continues to do in his gift-giving to us.
Epiphany continues the work done at Christmas, bringing light and life to a dying world desperate for hope.
The narrative of the Nativity is what Christmas is all about.
This article is part of Stephen Paulson’s series on the Psalms.