When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
“The fear of the Lord” is our heart’s awakening to and recognition of God’s outrageous goodness.
The women at the tomb were surprised by Easter. Amazed and filled with wonder at Jesus' Easter eucatastrophe. And so are we.

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The Son of Eve disarmed Satan’s hold on humanity, not with an earthquake, atomic bomb, or brilliant essay, but with his dead body and final words, “It is finished.”
Here is truly illustrated the truth that no one comes to Christ except the Father draw him; and with what power, what delicious sweetness, the Father allures!
“I forgive you,” must be said and it must be said often in a marriage.
It is in the midst of a world marked by empty and deceptive hopes that have broken hearts and lives that we are sent to deliver the promise of a future that has as its last chapter the resurrection of the body to eternal life with the Lamb who was slain but is alive forevermore.
Where Erasmus saw fear and collapse, Luther saw the never-ending comfort of Christ and his gospel.
As I sat there in the dark, empty church with my hands buried in the guts of a copy machine I was powerless to fix, I couldn't help feeling sorry for myself.
When we hear freedom, we have to ask about its opposite, bondage.
The devil knows our name and labels us by our sin. The devil breathes out death as he names us for what we are, sinners.
We have the freedom to joyfully participate in neighborhood fun with the love of our neighbor in mind.
Like the younger son, we can return to our Father every time our sinful hearts rebel against him. Like the older brother, we can complain and lament to our Father without fear of being destroyed.
Our very lives as parents and children implicitly proclaim this higher and lovely truth: we have no value to God based upon our usefulness.
The following is an excerpt from“Credo: I Believe,” edited by Caleb Keith and Kelsi Klembara (1517 Publishing, 2019).