This is the fifth installment in our article series, “An Introduction to the Bondage of the Will,” written to commemorate the 500th anniversary of Martin Luther’s Bondage of the Will.
This is the fourth installment in our article series, “An Introduction to the Bondage of the Will,” written to commemorate the 500th anniversary of Martin Luther’s Bondage of the Will.
This is the third installment in our article series, “An Introduction to the Bondage of the Will,” written to commemorate the 500th anniversary of Martin Luther’s Bondage of the Will.

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When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
The women at the tomb were surprised by Easter. Amazed and filled with wonder at Jesus' Easter eucatastrophe. And so are we.
It's one thing to hope for a new reality; it's quite another to stand before it, no matter how wonderful.
This is the final installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
This is the fourth installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
Sometimes the old story is the one we need to hear again and again.
Jesus satisfies, fills, and saves because he is the Son of God, who, with the Father and the Holy Spirit, lives and reigns forever.
In grace, God chooses to love his people.
This is an excerpt from Ditching the Checklist: Assurance of Salvation for Evangelicals (and Other Sinners) by Mark Mattes (1517 Publishing, 2025), pgs. 5-7.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.