"Every one must stand and give account before God for himself; and no one can excuse himself by the action or decision of another, whether less or more.”
God Meets is the rare cancer book (and as above, I use that term advisedly) that addresses both the judgment God places on human creatures in the Garden (death) and the hard road anyone walks toward that end (100% of us).
The testimony of the apostles is not an escapist message in which Christians are redeemed by leaving bodily life behind.

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Jesus knows you and everybody else come from a long line of life wasters going all the way back to Adam. Jesus died for life wasters! Let go of your bootstraps. Stand back up. Your Father loves you.
Paul knew, and so do we: the law doesn’t change hearts or heal the world. More demands won’t do the trick.
Salvation is not simply transactional; it is fundamentally relational. Not anemic, but full-blooded. Not disembodied, but bodied.
God makes all things new. He refashions us from those turned in upon ourselves, turned to idols of our own choice and making, to experience the freedom He gives by pronouncing us His righteous children.
What does being free from sin, which is obviously a good thing, have to do with being free from the Law, which sounds dangerous?
Good works do not give us a righteousness that exceeds that of the scribes and Pharisees. Rather, good works result from righteousness given by the good work of the Righteous One on the cross.
My deepest awareness of myself is that I am deeply loved by Jesus Christ and I have done nothing to earn it or deserve it.
Epiphany celebrates that we have not been left in our hearts’ cold darkness and this spoiled creation.
This year, I’m more excited for Epiphany than I am for Christmas.
The church does well to remind the world that God is unmasked, indeed, that God has unmasked himself in the person of Jesus.
Jesus is our sympathizer, our propitiation, and our advocate. We will be tempted but God will provide the way out, the way out is Jesus, the one who died for our sins.
The setting for Luke 2 is the first century analog to my backyard. The stage is dressed with rust and decay, guilt and shame, sin and death.