Faith, for Peter, is not suspended in religious abstraction. It is tied to something that happened in time and space.
Baptism does not promise us chocolates or flowers, but something far greater: life in Christ.
The Promised Land invites us to laugh at how relatable it is to be exhausted and exasperated by all the people, and the egos and opinions they bring with them, that come with living.

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The wrong god means love remains frail, fickle, or a fiction. The right God means love is the most reliable thing in all the world.
Wisdom lurks in the outer places. Rich gratitude sprouts from the impoverished and forgotten.
It is impossible to live our lives in a way that would convince God of our value because he already knows our value. He is the one who gave it to us.
The grain of God’s goodness and grace is made known by many trees throughout the Bible.
The love of God is creative, always giving, always reviving.
More certain than death or taxes and more certain than “anything else in all creation” is the fact that God loves you.
God’s creatures on four legs are some of the greatest storytellers of the Scriptures.
Dr. Montgomery taught me the Christian faith is both a true story and a delightful story—in fact, it is the greatest story ever told.
To obtain this righteousness, you have to admit you don’t have it and could never produce it on your own because you are unrighteous.
When joined with a good Reformation theology of vocation and the freedom of a Christian, Fujimura’s vision for culture care is something all Christians can embrace, regardless of whether they are artists in the formal sense.
It is the story of a God who is not distant, not indifferent, not doing anything in half-measures, but who is here, now.
The connection between music and the created order is a long lasting one.