As soon as people understand what crucifixion means, the cross becomes offensive.
This is the third installment in the 1517 articles series, “What Makes a Saint?”
The Church speaks not with the cleverness of men, but with the breath of God.

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Kleinig continually directs the reader's attention to Christ and his gifts.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?
Sometimes the old story is the one we need to hear again and again.
Lent isn't simply a season. It's the Christian life in microcosm.
Jesus satisfies, fills, and saves because he is the Son of God, who, with the Father and the Holy Spirit, lives and reigns forever.
We are called to believe in the church even when we don’t believe in the church.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
Jesus, the true Bridegroom, erases that mistake by his own compassionate, saving act. Isn’t this also a picture of the gospel?
By the end of this prayer of wrestling, David finally has the strength to claim victory over his lying enemies.