This ancient “tale of two mothers” concerns far more than theological semantics—it is the difference between a God who sends and a God who comes.
This story points us from our unlikely heroes to the even more unlikely, and joyous, good news that Jesus’ birth for us was just as unlikely and unexpected.
Was Jesus ambitious or unambitious? We have to say that the answer is…yes.

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If you struggle with doubt, take heart: You are not alone.
Why should we believe Jesus?
It’s easy to understand the allure of the shroud. In a skeptical age, a physical relic that appears to bear the imprint of the risen Christ seems like proof positive of the faith.
Three Lenten songs express the same astonishing wonder of a Lord who willingly suffers and dies.
News of Kilmer's death hit me like a freight train because his Doc Holliday stirred something in me about friendship—both the earthly kind and the divine.
Sometimes the old story is the one we need to hear again and again.
Apart from the confession that Jesus of Nazareth is the Christ of God who suffered and died for the forgiveness of sins and rose again to justify the ungodly, there is no Christian faith.
The great lie of addiction is that suffering must be fled, must be numbed, must be drowned out by any means necessary.
To be happy is to be the object of God’s love in Christ and to love God and others with the love of Christ.
The wrong god means love remains frail, fickle, or a fiction. The right God means love is the most reliable thing in all the world.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
Wisdom lurks in the outer places. Rich gratitude sprouts from the impoverished and forgotten.