Luther neither removed the Apocrypha from the Bible nor discouraged its use. Rather, he received and preserved the ancient distinction inherited from the fathers: the Apocrypha is valuable, edifying, and worthy of reading, but it is not Holy Scripture and therefore cannot serve as the foundation of Christian doctrine.
The confessors at Augsburg remind us that every generation of Christians is called to bear witness to the gospel amid the challenges and pressures of its own age. As they confessed Christ before emperors and kingdoms, so the Church continues to confess Him before the world today.
When Jesus washes you with baptismal water, you can rest assured that the Lion of Judah is on the move.

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We can’t predict the harvest. We can only sow.
To believe God is love and thus loves you is a miracle wrought by the Holy Spirit.
His love for you is so deep that in his mercy, while you were yet a sinner, God sent his only begotten Son to die for you.
“So loved,” then isn’t about how much but instead simply how.
Zephaniah has given us something more visceral to help us understand the love of God: the sound of salvation.
Love is pointing to Jesus who said, “Greater love has no one than this, that someone lay down his life for his friends” (John 15:13).
Predestination, Jim knew, is no longer a frightening doctrine of mystery when you understand that God makes his choice about you in the simple word of God, given from one sinner to another.
Even as he was dying, the heart of God poured itself out for the sake of sinners.
I think the problem with the idea of eternity is that we do not have any direct experience of it, but we encounter enough of its possibility to be unsettling.
The gospel's message is the scandalous announcement that Yahweh has stooped to our frame, to where we are.
The usual acclamation when one becomes King is: “Long live the King!” But this King of kings, this son of David, has come to die.
As the writer to the Hebrews affirms, what makes the Christian gospel so much better is that we are no longer dealing with “types and shadows."