The world takes notice when Christians forgive because such forgiveness seems impossible.
Even if the Shroud were proven a medieval forgery, it would only highlight the skill of its maker. The case for Christ’s resurrection rests on eyewitness testimony.
God leads us to green pastures. He comforts us with his grace in our darkest valleys.

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Our value and our values, our life, our everything is from Jesus Christ given to us as a gift.
God is consistently rooting us in reality—both what is seen and unseen—because that is where he is.
God’s goodness spoke a promise of peace and mercy to the bewildered, a promise that rings out to this day.
Our comfort in this seemingly endless age of crisis after crisis is the inexhaustible hope of Jesus’s reversal.
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Faith is like a horse with blinders because it only beholds God’s promise. It is obsessed with what God has already said.
Cyril’s fervor for pure explication of the gospel was present throughout his career.
Finding the balance between indifferentism and obsessiveness has never been easy, and it’s especially difficult in our environment.
Vilification of the other is married to the justification of the self.
History is the painful realization that we aren’t the ones who can save the world but, rather, we’re the ones who get saved.
In Jesus, the most totalizing summary of the law becomes the gospel of the one made perfect through obedience.
Whatever body part you are, the body of Christ is no pod person. Together, we’re a living, breathing, deathless whole.