Yahweh who is pierced and mourned in prophecy is Jesus who is pierced and mourned in fulfillment.
10/09/26
There is indeed a responsibility for the church to share the gospel in the world, but never at the expense of the church’s charity and mercy for those neighbors who are nearby.
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10/07/26
The only hope for idol-addicted sinners who are utterly incapable of decluttering their souls is Jesus, the one at the heart of the gospel, and the only one who stands before the Father with an undivided heart.
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- Blake Flattley
- Bob Hiller
- Bob Sundquist
- Bonnie Petroschuk
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- Brandon Pangman
- Brennan Manning
- Brian W. Thomas
- Bror Erickson
- Bruce Hillman
- C.S. Lewis
- Caleb Keith
- Chad Bird
- Charles E. Fry
- Christopher J. Richmann
- Cindy Koch
- CJ Armstrong
- Craig Donofrio
- Dan Chrismer
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- Daniel Stenberg
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- David Clay
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- Magnus Persson
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11/29/24
Below is an excerpt from the personal devotional included in this year’s 1517 Advent Resources.
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11/28/24
The Lord’s provision doesn’t rest on the strength of our gratitude.
11/27/24
A Bit of Earth is about the garden, but it’s also about us—as we are made from dirt.
11/21/24
Christ is the beating heart of Christian faith and its only object.
11/20/24
This is the basic argument of To Gaze upon God: that we who now see as if behind a veil will one day enjoy the unveiled splendor of God himself, who will dwell with us forever.
11/15/24
What do we learn from the widow? We learn how to be dependent upon God.
11/14/24
Christ is always the ultimate for God's children, but we sometimes struggle with things that come before.
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11/13/24
This article is part of Stephen Paulson’s series on the Psalms.
11/01/24
No matter how many times we hear this good news, it never stops being good news.
10/31/24
Our faith is precisely where Paul puts it, namely, in the blood of Christ.
10/30/24
Just as trick-or-treaters arrive at doorsteps as beggars, we come to the Lord’s table with nothing to offer but our sin and need for forgiveness.
10/28/24
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
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