This is the first in a series meant to let the Christian tradition speak for itself, the way it has carried Christians through long winters, confusion, and joy for centuries.
The crisis is not merely that people are leaving. The crisis is that we have relinquished what is uniquely Lutheran and deeply needed.
The ethos of the church’s worship is found in poor, needy, and desperate sinners finding solace and relief in the God of their salvation.

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Wake Up Dead Man is not ultimately a story about mystery, exposure, or even justice. It is a story about what happens when mercy speaks to death—and death listens.
Christ did not merely urge humanity to be kind. He embodied perfect kindness by giving his life for those who neither earned nor expected such a gift.
The testimony of the Word assures us that God isn’t waiting for us at the top of the stairs, with arms folded and brows furrowed.
We need redemption, and we receive it in our church community through God’s Word.
Paradoxes hold everything together, not just in Inception’s plot, but in your life and mine.
The Fourth in the fire is Jesus.
News of Kilmer's death hit me like a freight train because his Doc Holliday stirred something in me about friendship—both the earthly kind and the divine.
Devoid of the gospel of Jesus’s death and resurrection, sufferers are left to frantically run the halls of self-salvation, turning this way and that but never getting anywhere.
You cannot sever the saint from the sinner. Christians remain both simultaneously.
Huff did not stop there, though. Towards the end of the interview, he asked Rogan, "What do you think of Jesus?"
While Christmas may or may not have pagan roots, it will certainly have a pagan future if Christians lose sight of what it is all about.
In Scripture, laments are raw expressions of grief, but they always point to hope. What if our culture’s obsession with holiday lights is an unconscious way of crying out, “We need good news, and we need it now”?