The thief is the prophetic picture of all of us, staring hopelessly hopeful at the Son of God, begging to hear the same words.
The Solas are not just doctrinal statements. They are the grammar of Christian comfort.
For English speakers, no Reformer comes close to Tyndale in terms of measurable impact.

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The Christian life is compared to many things throughout Scripture. It's likened to a soldier going to war, a sheep under the care of a shepherd, or the journey of a pilgrim to a far-off city.
We want to know how God rules this world, how he is present in all things, how he exerts his control over the course of world events. We want to know why some get cancer and some don’t, why terrible things happen to the best of people, why volcanoes erupt and hurricanes strike and fires consume.
Over the last 11 months I’ve spent the bulk of my time working to plant a church in New York City.
When we explain away God’s Word, we jettison the reality of our ominous diagnosis in the “Thou shall/shall nots” of the law, and with it the sweet cure in the, “This is My body/blood” of the Gospel.
In the classic musical, The Sound of Music, the storyline follows the main character, Maria, as she is sent from her life in an Abbey to become a governess over seven children.
We can leave all the stuff of life behind, because our great treasure God flaunts before the world on Calvary.
Looking back, I see that the biggest problem (besides heresy) was that my faith was first about what I did or didn’t do, but it was also intangible and spiritual.
The Christian faith makes a bold claim: We are the world's problem, but we are not the world's solution.
There are many funeral songs I wouldn’t be caught dead singing. Why? Because my funeral will not be about me.
Dear church, do not get sidetracked. This is about far more than terrorism, racism, gun ownership, and the like. This is about the evil of the human heart.
It seems that no matter where we look in this world, we never quite find what we really need.
We treat the Scriptures as if they’re our literary property to toy with as we please.