From creative storytelling (see any of Jesus’ parables) to hymn-singing to poetry slams, God’s revelation refuses the confines of any single genre. The world beyond the wardrobe demands some serious attention, and Christians are uniquely qualified to give it just that.
Christ does not replace or erase the history of the Old Testament. He brings it to its fullness. The historical fulfillments demonstrate God's faithfulness in their own time and also bear witness to the greater fulfillment accomplished in Jesus Christ.
Jesus Christ is the Ark of the New Covenant. He is our place of atonement, our mercy seat. He puts a lid on the righteousness that might otherwise condemn us by offering his very self in our stead on the cross.

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Just as trick-or-treaters arrive at doorsteps as beggars, we come to the Lord’s table with nothing to offer but our sin and need for forgiveness.
Luther understood that music is an exceptional teaching tool.
To preach Christ and him crucified is to keep the message simple and accessible.
The sinful nature loves self, and pride is its native tongue.
This article is part of Stephen Paulson’s series on the Psalms.
In the Bible, we meet the God who also does not prance around naked as a jaybird.
God’s headline for his church prioritizes the person of Jesus and his purpose to demonstrate God’s power by dying and rising again for our salvation.
The Christian must always remember that personal piety and liturgical uniformity are by no means the marks of true religion.
Erasmus and the Unintended Reformation
This is an edited excerpt from Addendum A, “The Church Year,” On Any Given Sunday: The Story of Christ in the Divine Service, written by Michael Berg (1517 Publishing, 2023), pgs. 113-120.
This is a companion article to “Johann Spangenberg on Dying Well”
Strasbourg’s hymnals are especially relevant to American Lutherans because much of what we experience in our churches comes to us from Strasbourg.