Christianity need not retreat from investigation. Its central claim is that the Word became flesh, entered history, was crucified, and on the third day rose from the dead. That is not an embarrassment to be overcome. It is the claim we have been given to declare and defend.
In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.

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What I was missing—what so many are missing—is a Church that doesn’t just speak about Christ, but delivers him.
In Christ, you are bound. Bound to mercy. Bound to grace. Bound to a God who won’t let you go. And because of that, you are free—gloriously, joyfully free.
The baptized do not celebrate sin—they grieve it.
When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
The church does not await a verdict; she proclaims one.
Dave weaves together music, movies, and documentaries to illustrate all the ways we seek relief—and then, full and free, he connects our need to Christ’s gift.
While I disagree with many things Francis did and believed, I think he deserves credit for this: Francis showed us what Christian leadership can look like.
This is the first installment in our series, From Eden to Easter: Life and Death in the Garden. Each day throughout Holy Week, we will take a special look at the gardens and wildernesses of Scripture, and in particular, these scenes' connections to Christ's redemption won for us on the cross.
The goal isn't to give kids a balanced or equal measure of each but to give the right medicine at the right time.
Albrech Dürer is said to have brought the Renaissance north of the Alps and perfected the mass production and distribution of images.
No matter how stringent one's "regulations" — "Do not handle, Do not taste, Do not touch" (Col. 2:21) — the sinful nature that resides in everyone's heart is untamable by self-effort alone.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?