Luther neither removed the Apocrypha from the Bible nor discouraged its use. Rather, he received and preserved the ancient distinction inherited from the fathers: the Apocrypha is valuable, edifying, and worthy of reading, but it is not Holy Scripture and therefore cannot serve as the foundation of Christian doctrine.
The confessors at Augsburg remind us that every generation of Christians is called to bear witness to the gospel amid the challenges and pressures of its own age. As they confessed Christ before emperors and kingdoms, so the Church continues to confess Him before the world today.
When Jesus washes you with baptismal water, you can rest assured that the Lion of Judah is on the move.

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God is a judge, but unlike you, God is just!
Despite the mathematical incongruity, the church confesses that Christ is one hundred percent human and one hundred percent divine.
Jesus refreshes you with the promises of the gospel, wrapped in the words of Scripture, drawn in the pictures of the sacraments.
Polycarp’s faith, life, writings, and even his death revealed the fruit of faith and love grafted into his heart by Christ the Vine.
Jesus is very difficult to bring down. That’s the power of it.
Luther’s famous treatise contains great consolation for Christians struggling with grace, suffering, and hope.
"When God has his say, have confidence that his Word and sacraments bestow precisely what he says."
We now are the magi: we worship Christ because of who he is, but also because of what he has done for us and what he continues to do in his gift-giving to us.
Epiphany continues the work done at Christmas, bringing light and life to a dying world desperate for hope.
Christ is the beating heart of Christian faith and its only object.
The Lord has an answer to your tears, your trouble, your weariness, your enemies, your grief, your shame, your sin.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.