As soon as people understand what crucifixion means, the cross becomes offensive.
This is the third installment in the 1517 articles series, “What Makes a Saint?”
The Church speaks not with the cleverness of men, but with the breath of God.

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Our comfort in this seemingly endless age of crisis after crisis is the inexhaustible hope of Jesus’s reversal.
At the heart of The Idiot is Dostoevsky's confession of faith and the confession of all Christians.
Finding the balance between indifferentism and obsessiveness has never been easy, and it’s especially difficult in our environment.
Sometimes I think we should be more tempted to laugh at the gospel than we are, not in derision but in sheer surprise and awe.
The spirit indeed is willing and desires bodily death as a gentle sleep. It does not consider it to be death; it knows no such thing as death.
With Christ as the pioneer and perfecter of our faith, the future is secure already. It’s solid right now, even when the cords seem to be fraying.
God is in control, but God is also in relationship with His children and asks us to pray, to lament, and to ask Him to change His mind as we participate as the Bride with our Bridegroom.
History is the painful realization that we aren’t the ones who can save the world but, rather, we’re the ones who get saved.
In the place of God, Marx sets the material, autonomous, self-creating man.
The worship service is less like servants entering the throne room to wait on the king’s needs and more like a father joining his family around the dining room table.
Because of Jesus, God always hears our prayers, and he always responds to them in love–regardless of the quality or quantity of the one speaking them.
There’s no possibility of understanding the grace of Romans 6 and the glory of Romans 8 unless you identify with the excruciating struggle of Romans 7.