As soon as people understand what crucifixion means, the cross becomes offensive.
This is the third installment in the 1517 articles series, “What Makes a Saint?”
The Church speaks not with the cleverness of men, but with the breath of God.

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Like Jacob, sinners approach the Heavenly Father wearing the clothes of their older brother, Jesus.
Strasbourg’s hymnals are especially relevant to American Lutherans because much of what we experience in our churches comes to us from Strasbourg.
We can do nothing to warrant entry into the kingdom of God nor are we getting in if we think a seat at God’s table is something to which we are entitled.
What we do much less of, even in Christian circles, is recognize just how pervasive sin is, such that it has thoroughly corrupted us.
Now that the Lord of Sabaoth has involved himself, something ends, something is born.
The cross not only stands as the measure of our hatred of God but also as the measure of God’s love for us.
It is difficult to overestimate the importance of these early Lutheran hymns – and their physical availability in hymnals – in the piety of common people living in Lutheran towns and territories.
The Battle of Frankenhausen stands as a warning for what can happen when we abandon the Word God has given us and chase after some vision of our own imaginations.
The gospel is for sinners – both the tax collector and Pharisee, both in need of the Great Physician.
God chose Russell Brand, chose to defy his fast-escaping life and drink up all his swift-running sin in the River Thames.
The profound significance of Christ’s resurrection comes from the threefold justification it provides: it justifies the sinner, the sinner’s hope, and God himself.
Some part of us always wants our ability under the law to be just as important (or more) than grace.