In the end, your story isn’t an epic of personal glory. You aren’t the hero. Your Savior Jesus is.
Whether a Christian enjoys high church, low church, or something in between, aesthetics in the Church are not about any one individual person and their particular tastes. Aesthetics are, fundamentally, not a matter of legalism, but of edification—that the Gospel of Christ might be preached and taught to all peoples, unhindered by its medium.
Let us live by walking with Jesus, so that our Neo-Pagan neighbors, the witch, and frankly a lot of us Christians, can put down our crystals, our superstitions, our vision boards, and our bound sage in order to live out a liturgy of life, with rituals, practices, and behaviors that reflect who we are as followers of Christ.

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Paul knew, and so do we: the law doesn’t change hearts or heal the world. More demands won’t do the trick.
Salvation is not simply transactional; it is fundamentally relational. Not anemic, but full-blooded. Not disembodied, but bodied.
God makes all things new. He refashions us from those turned in upon ourselves, turned to idols of our own choice and making, to experience the freedom He gives by pronouncing us His righteous children.
What does being free from sin, which is obviously a good thing, have to do with being free from the Law, which sounds dangerous?
Good works do not give us a righteousness that exceeds that of the scribes and Pharisees. Rather, good works result from righteousness given by the good work of the Righteous One on the cross.
My deepest awareness of myself is that I am deeply loved by Jesus Christ and I have done nothing to earn it or deserve it.
Epiphany celebrates that we have not been left in our hearts’ cold darkness and this spoiled creation.
This year, I’m more excited for Epiphany than I am for Christmas.
What more could God do to prove to us that he is for us and not against us than to give his own Son into this fallen world to take the cross in our place, exchanging his righteousness for our many sins.
The church does well to remind the world that God is unmasked, indeed, that God has unmasked himself in the person of Jesus.
Perhaps this past year has prompted the recognition that God is not the tame projection of our highest hopes and dreams. Instead, he is the one who uses even his foes to make a point.
The setting for Luke 2 is the first century analog to my backyard. The stage is dressed with rust and decay, guilt and shame, sin and death.