This is what Christian catechesis does; it turns the knobs of the Scriptures and throws the doors of God’s word wide open to tell us the story of salvation.
Christianity isn’t simply a tool to fix social, spiritual, or economic problems. Its claims are much larger, touching upon truth itself and therefore all things and all people.
Christianity does not ultimately rest on the assertion that God delivered a perfectly dictated text whose divine origin can be demonstrated by claims of flawless transmission.

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News of Kilmer's death hit me like a freight train because his Doc Holliday stirred something in me about friendship—both the earthly kind and the divine.
No matter how stringent one's "regulations" — "Do not handle, Do not taste, Do not touch" (Col. 2:21) — the sinful nature that resides in everyone's heart is untamable by self-effort alone.
Sometimes the old story is the one we need to hear again and again.
Jesus satisfies, fills, and saves because he is the Son of God, who, with the Father and the Holy Spirit, lives and reigns forever.
The great lie of addiction is that suffering must be fled, must be numbed, must be drowned out by any means necessary.
To be happy is to be the object of God’s love in Christ and to love God and others with the love of Christ.
In the liturgy, Christ is present, self-giving, and ever-addressing his people.
The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The wrong god means love remains frail, fickle, or a fiction. The right God means love is the most reliable thing in all the world.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
There is no one — not now, not ever — who cannot be included in the family of God through the efficacy of Christ’s saving power.
What do we do with Katie Luther? What kind of historical character can we paint her to be?