When you remember your baptism, you're not recalling a ritual. You're standing under a current of divine action that has not ceased to flow since the moment those baptismal waters hit your skin.
“The fear of the Lord” is our heart’s awakening to and recognition of God’s outrageous goodness.
The women at the tomb were surprised by Easter. Amazed and filled with wonder at Jesus' Easter eucatastrophe. And so are we.

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“God in general” is of little use to all of us suffering the ravages of sin, the fear of death, and satanic prosecution.
What I like about Giertz’s approach is the devotional nature of these commentaries. He’s a pastor concerned with what these texts have to say to us today.
Look the judge in the eye and pin your sin on Jesus, the divine judge’s son. Jesus knows you can’t do it, so he trades places with you and pits himself against God’s righteous demands.
The Israelites had taken the Covenantal promise and the language of separation and interpreted them to mean the message of salvation and restoration was meant for only them. But this is counter to the reality of the Scriptures.
God is most glorified in the sending of Jesus to be the Savior of sinners.
Trust in the midst of trouble. That is what our Lord calls us to experience today.
The church is the only place God promises to lift us out of ourselves not in order to become more like God but so that we may finally be freed from our obsession with becoming little gods.
The Reformation was yet another era of history when God’s people were faced with the question that Jesus asked his disciples: “Who do you say that I am?”
We won’t use the right words, but the Holy Spirit is interceding with and for us, as we pray.
Reading, understanding, and studying Scripture is a life-long process of contemplation in conversation with others.
This is an excerpt from “The New Testament Devotional Commentary: Volume 1: Matthew, Mark, Luke” written by Bo Giertz and translated by Bror Erickson (1517 Publishing, 2021).
Without the sacraments, God’s grace is simply an artifact behind a glass-case in a museum. We might be able to describe and even admire it, but we never get firsthand access to it.