Living by faith has never been about what we bring to the table. It has always been, and always will be, about what God does for us when we can’t do anything for ourselves.
The entire history of Protestantism is downstream of a goldsmith in Mainz figuring out how to cast identical pieces of lead type in less than a minute.
When we despair of ourselves, we repent of these self-justifying schemes and allow ourselves to be shaped by God, covered in Christ’s righteousness, and reborn with a new heart.

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Epiphany continues the work done at Christmas, bringing light and life to a dying world desperate for hope.
It is impossible to live our lives in a way that would convince God of our value because he already knows our value. He is the one who gave it to us.
Christ is the beating heart of Christian faith and its only object.
If we picture the New Testament as a divinely painted masterpiece that hangs in the middle of a museum, then all around it are other works of the period, in different corridors of the museum, in many styles, painted by diverse artists, with variations of color and technique.
Dr. Montgomery taught me the Christian faith is both a true story and a delightful story—in fact, it is the greatest story ever told.
In Honor of Dr. John Warwick Montgomery: October 1931 to September 2024.
True religion or true faith is heavenly. It understands that mankind’s only hope has to come from outside of itself.
When the historical importance of revivalism is understood, one can appreciate that the question, “Could America experience another revival?” is also a question about the fate of Christianity in America.
The Christian must always remember that personal piety and liturgical uniformity are by no means the marks of true religion.
Surely a division now called the "Great Schism" should command our attention, but it is vital that we do not impute similar significance to all modern disagreements in the church.
Erasmus and the Unintended Reformation
This is an excerpt from chapter 2 of The Resurrection Fact: Responding to Modern Critics, edited by John Bombaro and Adam Francisco (1517 Publishing 2016).