This is the fifth installment in our article series, “An Introduction to the Bondage of the Will,” written to commemorate the 500th anniversary of Martin Luther’s Bondage of the Will.
This is the fourth installment in our article series, “An Introduction to the Bondage of the Will,” written to commemorate the 500th anniversary of Martin Luther’s Bondage of the Will.
This is the third installment in our article series, “An Introduction to the Bondage of the Will,” written to commemorate the 500th anniversary of Martin Luther’s Bondage of the Will.

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No matter how stringent one's "regulations" — "Do not handle, Do not taste, Do not touch" (Col. 2:21) — the sinful nature that resides in everyone's heart is untamable by self-effort alone.
How intentional will we be about utilizing gospel spaces that already inescapably communicate?
Sometimes the old story is the one we need to hear again and again.
Senkbeil is a pastor’s pastor, a master of the art of pastoral care.
Jesus satisfies, fills, and saves because he is the Son of God, who, with the Father and the Holy Spirit, lives and reigns forever.
Apart from the confession that Jesus of Nazareth is the Christ of God who suffered and died for the forgiveness of sins and rose again to justify the ungodly, there is no Christian faith.
God is a judge, but unlike you, God is just!
Luther’s final thoughts were not meant to bum you out or lead you to despair.
The addict’s condition speaks a hard truth: that we are all beggars before God, every one of us bent toward the grave.
The liturgy ensures that the gospel is never something inward, merely a thought or sentiment of the believer.
The story being told in the film is not Bonhoeffer’s story. It’s not the Confession Church’s story. Nor is it the story of the German resistance against Hitler. It is a completely fictional story of Hollywood.
What do we do with Katie Luther? What kind of historical character can we paint her to be?